Medium: sketchbook
Superstudio: Monument Interrupted
31 August 2020
Superstudio: Monument Interrupted31 August 2020
The collages of Superstudio’s ‘Continuous Monument’ have always seemed to me like stills from an unseen film, each image framing a part of a wider scenography. Combining the collages does not make the larger reality of the monument any less elusive or fragmentary, akin to the way that remembered dreams… Read More
Dating Siza: The Malagueira ‘Cupula’
23 July 2020
Dating Siza: The Malagueira ‘Cupula’23 July 2020
The unbuilt half-dome (referred to by the architect as the ‘cupula’) at the Quinta da Malagueira is the subject of a protracted design process that has lasted for over four decades. At the start of 2020, Álvaro Siza sent a drawing of the half-dome to Drawing Matter accompanied by letter… Read More
The Real and Imagined Worlds of Álvaro Siza
26 June 2020
The Real and Imagined Worlds of Álvaro Siza26 June 2020
Inside the cover of Álvaro Siza’s sketchbooks, there is a whole world: the real and the imagined. In his personal registers of the real, Siza accepts the world as it is. He uses drawing in a playful but productive way, learns when he apprehends, absorbs when drawing. This process of… Read More
Staging Brancusi
15 June 2020
Staging Brancusi15 June 2020
– Sarah Handelman and Asli Çiçek
Sarah Handelman: When we started talking about your work in scenography almost a year before, you were in the middle of designing the Brancusi exhibition, which opened last October at BOZAR in Brussels. Since then I’ve been wanting to have a conversation with you about the kinds of stages that… Read More
Álvaro Siza: Drawn Closer
11 June 2020
Álvaro Siza: Drawn Closer11 June 2020
This text was originally published in Architecture through Drawing. Drawn Closer is a year-long collaboration between Domus and Drawing Matter, edited by Sarah Handelman. Each issue of the magazine features one architect discussing a drawing which they recognise as a transformative moment in their work. Domus 2020 is guest-edited by David Chipperfield. I began using… Read More
Jaume Mayol / TEd’A Arquitectes: Drawn Closer
28 May 2020
Jaume Mayol / TEd’A Arquitectes: Drawn Closer28 May 2020
– Sarah Handelman and Jaume Mayol
This drawing for a house in Mallorca joins a number of sketches we made to understand the project. Each space is made of separate elements. To understand the space you need to dive into each element, and to understand each element you need to be in the space. To draw… Read More
Animals
5 May 2020
Animals5 May 2020
– James Gowan and Ellis Woodman
excerpted from The Architecture of James Gowan: Modernity and Reinvention (2008)
Plan with the form of a growling dog
29 April 2020
Plan with the form of a growling dog29 April 2020
I was drawing, endlessly it seemed, a hotel for a competition in Switzerland – fruitlessly as it turned out. I cheered myself along by seeing in the plan the face of an animal, a friendly bear, or more likely a dog. James’ ‘building with the form of a howling dog,’ which he… Read More
One Thing Leads to Another
23 April 2020
One Thing Leads to Another23 April 2020
Architecture rarely results from a singular eureka moment or a spontaneous act of genius. The myth of the napkin sketch is precisely a myth. The lucidity it suggests is essential, but it is seldom instantaneous or hermetic. It comes from work. In architecture, this work is of a special kind,… Read More
BV Doshi: Drawn Closer
23 April 2020
BV Doshi: Drawn Closer23 April 2020
– Balkrishna Vithaldas Doshi and Sarah Handelman
I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More
Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse
25 March 2020
Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse25 March 2020
Sometimes, in the space between the archive and the library at Shatwell, we make nice conjunctions. Here together are Peter Blake in 1992, old and very angry, writing for Abitare about the decline of architecture in late twentieth-century America; and Adolfo Natalini in 1972, young and thrilled to have got there, sketching… Read More
In the Archive: OMA, Neutelings, Hejduk, Gowan
1 March 2020
In the Archive: OMA, Neutelings, Hejduk, Gowan1 March 2020
– Richard Hall and Emma Rutherford
Click on drawings to move and enlarge (fullscreen version). In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. When faced with a mass of unknown information, one tends to start with… Read More
Next Year in Yemen
9 February 2020
Next Year in Yemen9 February 2020
‘Next year, there will be a civil war in Yemen. Please lend me the money so I can go now,’ I had the wit to ask my parents. It was after my first year in architecture school, not knowing that this journey would come to define me as an architect.… Read More
James Gowan Millbank: Sketches and Comments
9 December 2019
James Gowan Millbank: Sketches and Comments9 December 2019
The following text was first published in 1977 in an issue of AD Profiles dedicated to the Millbank Housing Competition. Run by the Crown Estate, the competition to develop a site adjacent to Vauxhall Bridge attracted nearly five hundred entries, including proposals from Alison and Peter Smithson, Richard Rogers and Renzo Piano,… Read More
The Difficulty of Designing Furniture
7 November 2019
The Difficulty of Designing Furniture7 November 2019
I Architecture: a tree here, a house there, or a temple; on the right a hill, or plain, sea, river; a bridge, regular outline of this street, the irregularity of another; colour, rhythms, climate, this client; yellowing photograph, parchment, power, marginality.Not as a matrix. Provocation, hence vocation to distort, to… Read More
Giò Ponti: Plan chest designs, c.1955
7 November 2019
Giò Ponti: Plan chest designs, c.19557 November 2019
Geoffrey Goes to Basildon
10 October 2019
Geoffrey Goes to Basildon10 October 2019
Charley in New Town is the peerless Halas and Batchelor film made for the government’s Central Office of Information in 1948, offering a utopian vision of new town living to the dazed postwar urban public. There is something of Charley, pedalling around the streets of the immaculately clean, smoke-free, Neo-Garden City,… Read More
Le Corbusier and the Poetry of Objects
22 August 2019
Le Corbusier and the Poetry of Objects22 August 2019
The consideration of objects shapes the mind, providing it with resources: sliced butcher’s bones, shells that are whole or broken by the tides. . . . Nature also teaches sharpness, the rigour of functions. — Le Corbusier, Unité [1] Around 1928, Le Corbusier abandoned the universe of manufactured objects, having exhausted all… Read More
The Matter of Drawing
3 August 2019
The Matter of Drawing3 August 2019
The Primitive Hut staggers into three dimensions. Wiry pen scribbles go technicolour, underground. A vermiculated arch becomes an intricately hollowed monolith. A coat of fur replaces the ragged edge where plaster gave way to brick. We are not in a hall of mirrors; instead we are looking at a group… Read More
Informal Housing in Fars (Iran) and Kuwait, 1974
5 April 2019
Informal Housing in Fars (Iran) and Kuwait, 19745 April 2019
This is another world – Yazd, a desert town really. It is troglodytic – a response to a hot, dry climate, so it is cut into the ground using mud brick, the wind catchers and domes create the silhouettes. So these pages are about the visit to Yazd – getting… Read More
Eric Parry: Iran, 1974
10 February 2019
Eric Parry: Iran, 197410 February 2019
If I now open the page – this sketchbook is different to rest because at that time, one had time. There was no planning to any of these. No A to Z or intention of a grand plan. For the months involved there is not much evidence, only a hint… Read More
Eric Parry: India, 1975
7 February 2019
Eric Parry: India, 19757 February 2019
This sketchbook results from a journey through west and northwest India focussed on the study of low-cost settlements in Bombay and Ahmedabad. It followed a seven-month period of research around nomadic environments in Iran and Kuwait. This mind- and eye-opening time was spent with colleague Andrew Thorne. Going back to… Read More
Superstudio: In Yesterday’s Tomorrow
23 December 2018
Superstudio: In Yesterday’s Tomorrow23 December 2018
‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Following social and economic upheaval, there is often a retreat to the home. Traditionally, the ‘home’ is identified with a site of… Read More
Tony Fretton: Tolerance
27 October 2020
Tony Fretton: Tolerance27 October 2020
– Richard Hall
The following text is an excerpt from AMAG 20 | Tony Fretton Architects. Drawing Matter would like to thank the author and the editors of the magazine for allowing us to reproduce the text on drawingmatter.org. To order a copy of AMAG 20, click here. Tolerance is a measure of… Read More
interior DMC sketch culture