Category: on their own work

Analoge Architektur: Fire Station Project

Analoge Architektur: Fire Station Project

Daniel Studer

This drawing of the roof level of a fire station, designed as a student work in 1986, was for the ‘Analoge Architektur’ exhibition at the Architektur Forum Zurich. [1] While the drawing is the work of an individual, it was inconceivable without the competitive and collegial development of a drawing… Read More

Álvaro Siza: Seven Early Sketchbooks

Álvaro Siza: Seven Early Sketchbooks

Niall Hobhouse, Manuel Montenegro and Álvaro Siza

These films were made over four hours on the afternoon of Sunday 25 March 2018 in Álvaro Siza’s studio in Rua do Aleixo outside Porto. I had flown to Portugal that morning with the seven sketchbooks which we were to look through with Manuel Montenegro. Manuel and I had conceived… Read More

Architectonic Landscapes

Architectonic Landscapes

Deanna Petherbridge

This text is the fifth in a series by artist Deanna Petherbridge in which she comments on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Read the introduction to the series, here.… Read More

Alberto Ponis on Casa Scalesciani

Alberto Ponis on Casa Scalesciani

Alberto Ponis

The site chosen by Juan S., an Argentinian with a penchant for Italy, was almost alarmingly steep and sheer above the sea. Even the path leading to it was perilous, and trodden with bated breath. During our long conversations about where the house would be built, we were not so… Read More

The Metropolitan Opera House, NYC: Invisible guests

The Metropolitan Opera House, NYC: Invisible guests

Kyna Leski

The purpose of poetry is to remind ushow difficult it is to remain just one person,  for our house is open, there are no keys in the doors,   and invisible guests come in and out at will.– Czesław Miłosz, from Ars Poetica? My father, Tad Leski, was an architect and designer for Wallace… Read More

The Order of Terror

The Order of Terror

Deanna Petherbridge

This text is the fourth in a series by artist Deanna Petherbridge in which she comments on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Read the introduction to the series, here.… Read More

Writing Prize 2021: Reading Material

Writing Prize 2021: Reading Material

Rebecca Disney

This is a narrative of listening: listening to materials, processes, place and self. When you sit in a room and read a book you are not looking at your environment – you perceive, touch, and smell its atmosphere and presence. Inadvertently, you register the space that surrounds you. During the initial… Read More

Writing Prize 2021: Live My Drawings

Writing Prize 2021: Live My Drawings

Ying Xuan Chian

Prologue: Panic! at K’s office Location: K’s office, University of Sheffield, Arts Tower Characters: Tutor: K (calm, knowing) Student: Me (facing an existential crisis, encountering a creative block, second-year hysteria… you get the idea) Brief: To design a library  I am fascinated by the heterogeneity of our experience of built… Read More

Clancy Moore Architects: Atcost

Clancy Moore Architects: Atcost

Andrew Clancy and Colm Moore

The Atcost project makes space for storage, education and performance, enabling a diverse range of activities to enhance the growing programme of Drawing Matter: summer schools, events, and away days for universities and practices. After noticing that the vast majority of these activities take place in summer, we proposed an… Read More

Pan Scroll Zoom 17: Monadnock

Pan Scroll Zoom 17: Monadnock

Job Floris and Fabrizio Gallanti

This is the seventeenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. Here, Fabrizio interviews Job Floris, co-founder of Mondanock, about their teaching studios at the EFPL and Harvard… Read More

Cosmos Street Revisited

Cosmos Street Revisited

Peter Wilson

This response relates to a text by Oscar Binder and Nicholas Podlanha published by Drawing Matter in July 2021, which described and reconstructed (badly) a lost project by the deceased architect James Clark. In fact I am James Clark (decidedly not dead) and the project parodied in this less than… Read More

Unpeopled Places

Unpeopled Places

Deanna Petherbridge

This text is the third in a series by artist Deanna Petherbridge in which she comments on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Read the introduction to the series, here.… Read More

Survey: Piazza Grande, Gubbio, Perugia

Survey: Piazza Grande, Gubbio, Perugia

Biba Dow

This painting was made in the early evening in the main square of the medieval town of Gubbio, in central Italy (Perugia). Reached by climbing up narrow winding streets, the Piazza Grande opens out as a belvedere to the southwest, looking across rooftops to the plain below the Apennine foothills.… Read More

Craving Primal Architecture

Craving Primal Architecture

Rory Chisholm

‘Architecture does not only respond to the functional and conscious intellectual and social needs of today’s city dweller; it must also remember the primordial hunter and farmer concealed in the body. Our sensations of comfort, protection and home are rooted in the primordial experiences of countless generations.’ [1] – Juhani Pallasmaa… Read More

Superstudio: Finding the Horizon

Superstudio: Finding the Horizon

Gian Piero Frassinelli

Until not too long ago, I would be asked to explain to youngsters accustomed to digital graphics how I used to make montages. I felt like an archaeologist, explaining how, in the Palaeolithic era, Neanderthals used to make their tools.  Across several workshops, I have realised that the techniques today… Read More

Where to Begin? – Juhani Pallasmaa

Where to Begin? – Juhani Pallasmaa

Juhani Pallasmaa

This is the first in a series revisiting responses from architects to the question: Where to Begin?. The question was posed by the Drawing Matter editors while compiling the first volume in our Extracts series – find more information here. Beginning to sketch a project has always been easier for me… Read More

Galleries in the Valley

Galleries in the Valley

Abigail Calva, Basil Harb, Erin Huang, Claire Oster and Sarah Tien

Throughout the spring semester at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the… Read More

Sketches from Algiers

Sketches from Algiers

Adam Voelcker

In October 1975 I returned to Cambridge to complete my architecture course. I had spent my year out in London with MacCormac and Jamieson, an exciting time as it was early days for this young practice and I was one of their very first assistants. In fact, I nearly didn’t… Read More

Pan Scroll Zoom 16: Luis Callejas

Pan Scroll Zoom 16: Luis Callejas

Luis Callejas

This is the sixteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. Here, Luis Callejas (LCLA OFFICE) discusses his teaching studios at the Yale School of Architecture and the… Read More

Stirling & Gowan: The Isle of Wight House

Stirling & Gowan: The Isle of Wight House

James Gowan, J. M. Richards, Laurent Stalder, James Stirling and Ellis Woodman

This first impetus for this article was provided by Laurent Stalder’s discussion of the sectional perspective drawing for the Isle of Wight house, reproduced here, which led us to J. M. Richards’ seminal essay, and then onward through the literature. In addition, we asked the Deutsches Architekturmuseum and the Canadian… Read More

Postcards: The Nature of images

Postcards: The Nature of images

Luca Galofaro

Our vision is simultaneously determined by the (past) historical structure of the work and by the present structure of the gaze that examines it, in which the accumulated glimpses of history often continue to operate.– Daniel Arasse Writing a postcard is the simplest thing in the world. Among other things,… Read More

Leicester Engineering Building: Completed!

Leicester Engineering Building: Completed!

James Gowan

In this pendant piece to Leicester Engineering Building: Under Construction, follow James Gowan, once again, as the photographer of his own architecture. The text below is transcribed from an annotated typescript titled ‘Aspects of Humanism’, July 1989, archived at Drawing Matter. The text was published in Architecture Today as ‘Anatomy… Read More

Forced Migrations, Barriers and Vanishing Asylums

Forced Migrations, Barriers and Vanishing Asylums

Deanna Petherbridge

This text is the second in a series by artist Deanna Petherbridge in which she comments on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Read the introduction to the series,… Read More

36 Elevations

36 Elevations

Calum Storrie

I began this series of drawings with something else in mind. The first picture was to be drawn freehand, but I took a wrong turn straight away by setting up a structure using a set-square around which the composition would be based. I realised that the structure was already a… Read More