Tag: sketch
Jaume Mayol / TEd’A Arquitectes: Drawn Closer
28 May 2020
Jaume Mayol / TEd’A Arquitectes: Drawn Closer28 May 2020
– Sarah Handelman and Jaume Mayol
This drawing for a house in Mallorca joins a number of sketches we made to understand the project. Each space is made of separate elements. To understand the space you need to dive into each element, and to understand each element you need to be in the space. To draw… Read More
Gallaratese & Fagnano Olona (1976)
26 May 2020
Gallaratese & Fagnano Olona (1976)26 May 2020
Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More
Calculated Aesthetics
19 May 2020
Calculated Aesthetics19 May 2020
The floor plan of the Losone gymnasium (1990–1997) by Livio Vacchini is a computer drawing made through the repetition of four basic elements: a rectangular black solid, and three types of short lines – one vertical and two diagonals in opposite directions. The black solid is copied with equal distance… Read More
Hotel Sphinx (1978)
18 May 2020
Hotel Sphinx (1978)18 May 2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More
Paul Robbrecht: Drawn Closer
12 May 2020
Paul Robbrecht: Drawn Closer12 May 2020
Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More
Louis Kahn: Notes on a Scrap of Paper
30 April 2020
Louis Kahn: Notes on a Scrap of Paper30 April 2020
This scrap of paper, perhaps scooped up from the floor or a waste basket in Louis Kahn’s studio on Chestnut Street in Philadelphia, shows a single sketch – spidery lines outlining a modest block and strange openings. Beginning drawing in 1958 Kahn searched for a design of a new building… Read More
Plan with the form of a growling dog
29 April 2020
Plan with the form of a growling dog29 April 2020
I was drawing, endlessly it seemed, a hotel for a competition in Switzerland – fruitlessly as it turned out. I cheered myself along by seeing in the plan the face of an animal, a friendly bear, or more likely a dog. James’ ‘building with the form of a howling dog,’ which he… Read More
Grounded: Plans & Planning
29 April 2020
Grounded: Plans & Planning29 April 2020
– Richard Hall and Niall Hobhouse
The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More
Shape
28 April 2020
Shape28 April 2020
Shape calls attention to things and their meanings. Architects, whether they mean to or not, give shape to things, and the people who see or inhabit those things, whether in full consciousness or not, respond to these shapes. The dimensions of this response are somewhat difficult to measure, since they… Read More
Space
27 April 2020
Space27 April 2020
Space in architecture is a special category of free space, phenomenally created by the architect when he gives a part of free space shape and scale. Its first two dimensions – width and breadth – are responsive mainly to functional imperatives in the narrow sense, but the manipulation of its… Read More
BV Doshi: Drawn Closer
23 April 2020
BV Doshi: Drawn Closer23 April 2020
– Balkrishna Vithaldas Doshi and Sarah Handelman
I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More
Yasmeen Lari: Drawn Closer
7 April 2020
Yasmeen Lari: Drawn Closer7 April 2020
In 2005, earthquakes in northern Pakistan killed 80,000 people. This was an eye-opener for me, and I was drawn to work with these remote, impoverished mountain communities, to help to rebuild their lives. Having retired from conventional architectural practice, and this was something I’d never done before. Unlike NGOs offering… Read More
Where Words Fail
6 April 2020
Where Words Fail6 April 2020
– Cyril Babeev and Matt Page
This drawing, a sketched site plan annotated in cursive old-Russian, was published in May 1903 in the Saint Petersburg-based architecture magazine Zodchiy (Зодчій). [1] The plan describes a nearly-square plot sited perpendicular to a street (ulitza, улица) and divided into three areas: a house, represented by a white void; a garden in the… Read More
Drawing Culture at SOM New York
3 April 2020
Drawing Culture at SOM New York3 April 2020
When I joined SOM in 1963, design drawings were done in pencil on yellow tracing paper with occasional use of coloured pencils. In the mid-60s this changed to magic markers. When working on a project under Sherwood Smith for a college campus, we drew the site plans with thin pen… Read More
Gowan on the English House
1 April 2020
Gowan on the English House1 April 2020
When asked to write for Zodiac about his villa at Chester, built in 1982 for the furniture magnate Chaim Schreiber, James Gowan choses Robert Lorimer and Edwin Lutyens as his references. It is clear that he identifies with Lorimer particularly – another Scotsman, asked to build a house for a good client… Read More
Houses of Work and Play
30 March 2020
Houses of Work and Play30 March 2020
The Faculty of Architecture at the University of Porto (FAUP), designed by Álvaro Siza, is set on a hillside, close to a road bridge at the mouth of the river Douro. The bridge seems to be part of the extended composition of the campus; the school-city a gateway to the… Read More
Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse
25 March 2020
Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse25 March 2020
Sometimes, in the space between the archive and the library at Shatwell, we make nice conjunctions. Here together are Peter Blake in 1992, old and very angry, writing for Abitare about the decline of architecture in late twentieth-century America; and Adolfo Natalini in 1972, young and thrilled to have got there, sketching… Read More
Behind the Walls
23 March 2020
Behind the Walls23 March 2020
Albert, an artist known only by his first name, thinks about buildings in ways similar to an architect. As he draws, he imagines the structures on the page having a future life in bricks and mortar, considering as he does so whether the audience for his drawings will ask themselves,… Read More
Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building
6 March 2020
Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building6 March 2020
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
Biba Dow on Giorgio Morandi: Group and Threshold
3 March 2020
Biba Dow on Giorgio Morandi: Group and Threshold3 March 2020
– Biba Dow
Giorgio Morandi’s work focused on studying again and again a small group of domestic objects – vases, jugs, bottles – in his home in Bologna. During his adult life, he produced a large quantity of paintings and etchings which together build up a shimmering representation of his field of focus.… Read More
Seeing, and Disbelieving
2 March 2020
Seeing, and Disbelieving2 March 2020
It is easy enough to say that the analysis of any architectural drawing begins with asking what it is for. But trying to answer this innocent question, which applies equally to the purpose for which the drawing was intended and for which we are now looking at it, presents many… Read More
Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library
7 February 2020
Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library7 February 2020
– Editors
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
Tony Fretton: Drawn Closer
6 February 2020
Tony Fretton: Drawn Closer6 February 2020
– Tony Fretton and Sarah Handelman
Sometimes you make drawings to tell yourself the project is going okay. Well, that’s what I do. This drawing came quite late in the design of the first Lisson Gallery. In the way I used to work, you would reach a point where you’d have a very thorough sense of… Read More
On William Kent (1771)
19 May 2020
On William Kent (1771)19 May 2020
– Horace Walpole
Here is Walpole’s famous one-liner, but with the remainder of his text on William Kent quoted in full; this is as Pevsner, in his unpublished Visual Planning and the Picturesque, apparently intended it to be. He leaped the fence, and saw that all nature was a garden. He felt the… Read More
sketch landscape DMC