Category: project & building histories
The Rural Homes of Marcelo Ferraz and Francisco Fanucci
13.12.2021
The Rural Homes of Marcelo Ferraz and Francisco Fanucci13.12.2021
Where our sertão remainsEvery happy little houseStill neighbors a streamAnd still harbors its arbors Where our sertão remainsEvery happy little homeCooks on the coal cookerThe wood stove’s still blown[…] Where sertão remainsEvery little house is gladfor on the evenings we get our Hail-MaryAnd the pleasure of being alone ‘Casinha feliz’,… Read More
The Temple of Flora, Stourhead: A Paradise Revisited
09.12.2021
The Temple of Flora, Stourhead: A Paradise Revisited09.12.2021
In 1744 Henry Hoare employed Henry Flitcroft to design a temple for his magnificent Palladian gardens at Stourhead: The Temple of Flora, which was built by William Privett in 1744–5. Excerpted below is an account of the temple’s history taken from Dudley Dodd’s book, Stourhead: Henry Hoare’s Paradise Revisited (2021). Purchase… Read More
The I’Ansons: A Dynasty of London Architects & Surveyors
30.11.2021
The I’Ansons: A Dynasty of London Architects & Surveyors30.11.2021
The following excerpt from Peter Jefferson Smith’s The I’Ansons: A Dynasty of London Architects & Surveyors (2019) charts the involvement of three generations of the I’Anson dynasty (Edward Sr [1775–1853]; Edward Jr [1812–1888]; and Edward Blakeway [1843–1912]) in the design of the Corn Exchange in Mark Lane, City of London.… Read More
The Philips Pavilion: Models as Structural Expression
23.11.2021
The Philips Pavilion: Models as Structural Expression23.11.2021
The following text discusses the use of models as an integral part of the architectural process. It is excerpted from Matthew Mindrup’s article on the roles of models in the design of the Sydney Opera House and Iannis Xenakis and Le Corbusier’s Philips Pavilion for the 1958 World’s Fair (arq:… Read More
Álvaro Siza: Seven Early Sketchbooks
22.11.2021
Álvaro Siza: Seven Early Sketchbooks22.11.2021
– Niall Hobhouse, Manuel Montenegro and Álvaro Siza
These films were made over four hours on the afternoon of Sunday 25 March 2018 in Álvaro Siza’s studio in Rua do Aleixo outside Porto. I had flown to Portugal that morning with the seven sketchbooks which we were to look through with Manuel Montenegro. Manuel and I had conceived… Read More
The Urban Fact: Aldo Rossi, The School, Fagnano Olona
16.11.2021
The Urban Fact: Aldo Rossi, The School, Fagnano Olona16.11.2021
– Kersten Geers, Stefano Graziani and Jelena Pancevac
This is part one of two excerpts chosen from The Urban Fact: A Reference Book on Aldo Rossi. The second text, on Aldo Rossi’s Student Housing in Chieti, completed in 1976, will be available soon. Please see the end of the page for more information on this publication. The Olona… Read More
A Short History of Alberto Ponis on the Sardinian Coast
15.11.2021
A Short History of Alberto Ponis on the Sardinian Coast15.11.2021
Alberto Ponis was born in Genoa in 1933. He took his architecture degree in Florence in 1960. His father, Mario Alberto, had founded the M.I.T.A. (Manifattura Italiana Tappeti Artistici) in 1926 in Nervi, near Genoa. The company’s building was built by Luigi Daneri in 1940. Gio Ponti, Arnaldo Pomodoro and… Read More
Frank Lloyd Wright, House for Edith Carlson, 1939, Part II
07.11.2021
Frank Lloyd Wright, House for Edith Carlson, 1939, Part II07.11.2021
Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Order the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. My dear Miss Carlson, By… Read More
Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance
04.11.2021
Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance04.11.2021
Negatives Of the 120,027 items included in the archives of the Centre Pompidou in Paris, 16,010 are part of the collection called ‘Architecture’, and 22,877 are filed as ‘Negative film’. Astonishingly, only one entry sits in both: ‘Ensemble de 12 négatifs couleur (4 pour le projet Bizan, 6 pour le… Read More
The Italian Job: Anthony Salvin, Sir John Benson and the Royal Cork Yacht Club, Cóbh
27.10.2021
The Italian Job: Anthony Salvin, Sir John Benson and the Royal Cork Yacht Club, Cóbh27.10.2021
Anthony Salvin (1799–1881) was a noted English architect of country houses and a pioneer restorer of historic monuments. In the latter sphere, he undertook significant interventions at Windsor and Alnwick Castles and at the Tower of London. For example, he is largely responsible for the way we see the yards… Read More
Alberto Ponis on Casa Scalesciani
27.10.2021
Alberto Ponis on Casa Scalesciani27.10.2021
The site chosen by Juan S., an Argentinian with a penchant for Italy, was almost alarmingly steep and sheer above the sea. Even the path leading to it was perilous, and trodden with bated breath. During our long conversations about where the house would be built, we were not so… Read More
Frank Lloyd Wright, House for Edith Carlson, 1939, Part I
21.10.2021
Frank Lloyd Wright, House for Edith Carlson, 1939, Part I21.10.2021
This is part one of the true story of librarian Edith Carlson, who in 1938 commissioned a house from Frank Lloyd Wright. The letters that document the project are now in the Drawing Matter collection. Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press… Read More
The Metropolitan Opera House, NYC: Invisible guests
15.10.2021
The Metropolitan Opera House, NYC: Invisible guests15.10.2021
The purpose of poetry is to remind ushow difficult it is to remain just one person, for our house is open, there are no keys in the doors, and invisible guests come in and out at will.– Czesław Miłosz, from Ars Poetica? My father, Tad Leski, was an architect and designer for Wallace… Read More
Twelve Thousand Seven Hundred Forty-Two KM of Continuum
04.10.2021
Twelve Thousand Seven Hundred Forty-Two KM of Continuum04.10.2021
There is a handwritten phrase in red ink at the bottom of this sketch, which reads in Italian: ‘for the continuous monument (genesis)’. This drawing is from one of Adolfo Natalini’s sketchbooks and depicts a series of studies about the earth. In the same sketchbook, he drew multiple sequences of… Read More
Christoph Schlingensiefs Operndorf Afrika (2020): Review
27.09.2021
Christoph Schlingensiefs Operndorf Afrika (2020): Review27.09.2021
The Opera Village is a complex located thirty kilometres from the capital of Burkina Faso that was initiated by the late German film, theatre, and opera director, author, and action artist, Christoph Schlingensief and envisioned as a site centring African artists and enabling cross-cultural creative exchange. The ever-expanding project combines… Read More
Survey: Le Corbusier, Roland Garros stadium
21.09.2021
Survey: Le Corbusier, Roland Garros stadium21.09.2021
In July 1958, one day before Faisal II was assassinated during the 14 July Revolution in Baghdad, the Iraqi Ministry of Development sent a telegram to Paris confirming Le Corbusier’s appointment to design the Olympic Stadium. Over the following months, while the programme and site were being clarified, his office… Read More
Clancy Moore Architects: Atcost
20.09.2021
Clancy Moore Architects: Atcost20.09.2021
– Andrew Clancy and Colm Moore
The Atcost project makes space for storage, education and performance, enabling a diverse range of activities to enhance the growing programme of Drawing Matter: summer schools, events, and away days for universities and practices. After noticing that the vast majority of these activities take place in summer, we proposed an… Read More
Cosmos Street Revisited
31.08.2021
Cosmos Street Revisited31.08.2021
This response relates to a text by Oscar Binder and Nicholas Podlanha published by Drawing Matter in July 2021, which described and reconstructed (badly) a lost project by the deceased architect James Clark. In fact I am James Clark (decidedly not dead) and the project parodied in this less than… Read More
The Silo at 40Hz
27.08.2021
The Silo at 40Hz27.08.2021
– Joe Banks and Jonah Ginsburg
DISINFORMATION, CLOSED CIRCUIT, 2021Video documentation recorded on August 1, 2021 – the last day of the installation. Headphones recommended. ‘Architecture is the simplest means of articulating time and space, of modulating reality and [of] engendering dreams’, and, perhaps paradoxically, in the silo at Shatwell, a familiar architectural form is re-purposed… Read More
The H-plan: Breuer, Stirling, Gowan
05.08.2021
The H-plan: Breuer, Stirling, Gowan05.08.2021
The interesting note by Neil Jackson tying Gowan and his Isle of Wight House to the bi-nuclear plans of Breuer and then to Craig Ellwood’s Hillsborough House, reminds me of Stirling’s own early interest in Breuer, whose Connecticut work he saw during his 1948 internship in New York during his… Read More
Building the Gowan Shed
30.07.2021
Building the Gowan Shed30.07.2021
Through the week of July 12–17, thirteen young architects camped at Shatwell Farm in order to realise a shed from an enigmatic early drawing by James Gowan. The workshop was initiated and led by Maria-Chiara Piccinelli of PiM.studio and Corinna Dean of ARCA. This film portrays the (re)design and construction… Read More
Steeling Stirling & Gowan’s Isle of Wight House
28.07.2021
Steeling Stirling & Gowan’s Isle of Wight House28.07.2021
The editors were thrilled to receive this response from Neil Jackson to our publication of drawings and literature relating to Stirling & Gowan’s Isle of Wight house. We are always interested in receiving comments and feedback from our readers: editors@drawingmatter.org. In taking the plan of the Stirling & Gowan’s Isle… Read More
Working with Tony Fretton
04.01.2022
Working with Tony Fretton04.01.2022
– Jonathan Sergison
In the early 1990s a number of architects, academics and artists came together in a rather fluid manner, meeting regularly in my Bloomsbury apartment. Tony Fretton was older than most of us and had already established a clear critical position. The conversations we had, and sometimes the arguments, were instructive… Read More
competition culture DMC