Category: project & building histories

Peekaboo! Stanford White and the Mystery Lantern for Madison Square Presbyterian Church

Peekaboo! Stanford White and the Mystery Lantern for Madison Square Presbyterian Church

H. Horatio Joyce

Up until the turn of the twentieth century architectural renderings tended to be created for clients early in the design process to give them an idea of how a proposed building would look. At that point however they began to be used more widely for publicity purposes as well, thanks… Read More

Hans Poelzig: Decorating the Empty Centre

Hans Poelzig: Decorating the Empty Centre

Hana Nihill

‘Artists such as Poelzig, prevented from building in real life, have been driven to create Expressionist cinema architecture […] But in the long run, pasteboard fantasy creations […] can never be satisfying fodder for the architect; he has an inner urge to conceive and erect buildings in which real people… Read More

BOLLES+WILSON: Sketching-Over Albania

BOLLES+WILSON: Sketching-Over Albania

Peter Wilson

Having devoted a number of years to techniques and images engendered by holding a wood encased rod of graphite, I some years ago experienced a sort of premature redundancy, noticing that those about me husbanding architecture were now mysteriously clutching not a pencil but a mouse. I had already technologically… Read More

68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt

68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt

Niall Hobhouse

Review By preserving the trees on the site within his pavilion in the Giardini, Sverre Fehn offered Venice an insight into a unique Nordic sensitivity towards nature and the environment. He tempered the harsh Mediterranean sun to evoke the horizontal light of the Baltic through a spectacularly innovative technical design… Read More

biq: Revealing Construction

biq: Revealing Construction

Neil Middleton

The French Modernist Auguste Perret is famously quoted as saying that ‘Construction is the mother tongue of the architect. The architect is a poet who thinks and speaks in terms of construction’.  If this is the case, and given drawings are the primary communication tool for architects, it is perhaps… Read More

Superstudio & Piranesi: Zeno is Immortal

Superstudio & Piranesi: Zeno is Immortal

Olivier Bellflamme

It’s 1777 in the Italian region of Salerno, a man is resting on a massive Doric column, watching his two cows from the ruin of a temple where the weeds grow. This building was, a long time ago, considered as the house of Juno, goddess of fertility and the vital… Read More

Hans Hollein’s Immunological City

Hans Hollein’s Immunological City

Dhruv Mehta

Hans Hollein’s city structures look awry to someone familiar with his retail work. In the time that these drawings were made, Hollein completed his UC Berkeley degree, travelled across the USA, and did an exhibition with Walter Pichler in Austria. His most influential visit was to the Native American pueblos.… Read More

14 Wine Street, Bristol

14 Wine Street, Bristol

Lee Marable

Whilst leafing through the Drawing Matter collection, this drawing from 1885, by architect Henry Crisp, caught my eye. The drawing depicts a new shopfront and facade to be grafted on to the existing structure of 14 Wine Street, Bristol. Initially, the design struck me as remarkably contemporary and I came… Read More

Leicester Engineering building: Two Architects (1964)

Leicester Engineering building: Two Architects (1964)

Ellis Woodman

Filmed in 1964, Ron Parks’ documentary on the newly completed Engineering Department at Leicester catches James Stirling and James Gowan at a moment of professional triumph and personal crisis. Their building was being applauded the world-over – Parks’ film had been commissioned by the American Institute of Architects, to mark its… Read More

Open Wide / Wide Open

Open Wide / Wide Open

Angharad Davies

We started with six words: a short-term dwelling for an artist then added:   with a child What adaptations have you made to your domestic space since having a child? / What adaptations have you made to your work space since having a child? / How / When / Where do… Read More

The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple

The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple

Frank Lyons

The Architecture of Nothingness: Drawing the Drawings As architects we have learned to read drawings almost instantly. At a glance we see what the spaces feel like, what it will be like to move around the building and perhaps even get a sense of the appropriateness of the structure. This ‘presentational’ way… Read More

Balzac architecte (1856)

Balzac architecte (1856)

Leon Gozlan

No drawing, nor stone in the ground, remains of the dream house near Paris which the young novelist was never able to complete. By the time Balzac resold the whole property in 1840, with debts of 100,000 francs, it had collapsed back into the landscape, together with the terraced plantations… Read More

Nancy Holt: Sky Mound

Nancy Holt: Sky Mound

Holt/Smithson Foundation

Nancy Holt (1938-2014) was a member of the earth, land, and conceptual art movements. A pioneer of site-specific installation and the moving image, Holt recalibrated the limits of art. She expanded the places where art could be found and embraced the new media of her time. Across five decades she… Read More

Casino Royale: Stynen’s unrealised sculpture garden

Casino Royale: Stynen’s unrealised sculpture garden

Emerald Liu

The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More

Working with Gowan: Housing at East Hanningfield

Working with Gowan: Housing at East Hanningfield

Paul Notley

The Site Plan was one of the Planning drawings prepared for submission to Chelmsford District Council and Essex County Council. It is A1 size and drawn on Wiggins Teape 112 gram ‘Gateway’ tracing paper. The East Hanningfield job was the first on which ‘A’ sized paper had been used in… Read More

Derrida & Eisenman: Laugh(ing) of(f) the lyre

Derrida & Eisenman: Laugh(ing) of(f) the lyre

André Patrão

‘I think I understand, at least in principle.’ [1] Jacques Derrida tries to keep track of Peter Eisenman’s elaborate explanation. It is the 21st of April 1986, and in New Haven, Connecticut, philosopher and architect conduct the fifth of six meetings for their design of a garden in Bernard Tschumi’s… Read More

Building Desire: On the Barcelona Pavilion (2005)

Building Desire: On the Barcelona Pavilion (2005)

George Dodds

The following text is an excerpt from George Dodds’ book Building Desire: On the Barcelona Pavilion (2005), an analysis of the historiography and mythography of Mies’s building and its afterlives. The author reminded the Drawing Matter editors of the text, in response to our publication in June 2020 of an… Read More

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids

Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid is loaded with symbolism and history: it is emblematic of origins, order, systems, utopias and dystopias, and the inevitable susceptibility… Read More

Tradition and Modernity, Continuity and Critique

Tradition and Modernity, Continuity and Critique

Rebecca Siefert

The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More

Architecture’s Mirror Stage

Architecture’s Mirror Stage

Michael Abrahamson

Mirrors and mirrored glass, perhaps the most characteristically postmodern of surface treatments, were not only a material choice but also emblematized a turn inward toward what Sylvia Lavin has taken to calling ‘architecture itself.’ As the psychoanalyst Jacques Lacan might have put it, it was at this moment that modernist… Read More

Re-presenting the Rococo

Re-presenting the Rococo

David Valinsky

In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More

Superstudio: Another Mirror Image

Superstudio: Another Mirror Image

Ludwig Engel

Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More

Singing Songs of Piccadilly: Review

Singing Songs of Piccadilly: Review

Editors

Niall Hobhouse writes about The Buildings of Green Park by Andrew Jones. To purchase the book, click here. Green Park, a pair of anecdotes: 1. Queen Caroline – ‘What would it cost, Sir Robert, to close the Park to the public?’ Walpole – ‘May it please your Majesty, but Three Crowns –… Read More

Charlotte Skene Catling: The Dairy House

Charlotte Skene Catling: The Dairy House

Françoise Astorg Bollack

This project involved the enlargement of a nineteenth-century masonry dairy house built by the owner’s great grandfather for the estate’s cheesemaker. The addition fills a narrow space dug into the hill behind the existing house providing additional bedrooms, bathrooms, and more generous circulation spaces. The building sits in an 850-acre… Read More